David Neumann

David Neumann and advanced beginner group’s original work has been presented in New York at PS 122, New York Live Arts, The Kitchen, Abrons Arts Center, Central Park Summerstage (where he collaborated with John Giorno), Celebrate Brooklyn, Symphony Space (where he collaborated with Laurie Anderson), The Chocolate Factory and The Whitney. ABG has also performed at the Walker Art Center, Alverno College, MASS MoCA,  The Fusebox Festival, The Ringling Festival and the American Dance Institute, among others. Neumann was a performer for many years working with, among others, Mikhail Baryshnikov, Big Dance Theater, Doug Elkins, Doug Varone and Sally Silvers. Recent projects include: choreographer on Hadestown (NYTW), The Total Bent (Public Theater),  War (LCT 3), Futurity (Ars Nova and Soho Rep),  An Octoroon (Soho Rep/Theater for a New Audience), The Antipodes (Signature Theater), directing Geoff Sobelle in The Object Lesson (BAM and NYTW), and choreographing Hagoromo at BAM Harvey with Wendy Whelan and Jock Soto.  He is currently professor of theater at Sarah Lawrence College. Most recently, Neumann’s work, I Understand Everything Better received two 2016 NY Dance and Performance Bessie Awards, one for Outstanding Production and one for Outstanding Sound Design/Music Composition. He was named a 2016 Artist in Residence at the SETI Institute and was also awarded a Robert Rauschenberg Residency. Over the years Neumann has received three “Bessie” Awards, a Foundation for Contemporary Arts Award, an Asian Cultural Council Fellowship (Noh immersive), residencies at MASS MoCA, ADI, MANCC, and support from the Rockefeller Foundation, Creative Capital, NYFA and National Dance Projects among others.

Returning Choreographic Fellow | November 25 - December 3, 2018 // June 2018 TBD

Distances Smaller Than This Are Not Confirmed

Inspired by his participation as the first performing artist-in-residence at the SETI Institute (Search for Extraterrestrial Intelligence), David Neumann returns for his second of three MANCC residencies to develop a multi-disciplinary dance/theater piece, Distances Smaller Than This Are Not Confirmed (working title). As SETI Institute astronomer Dr. Jill Tarter explains: “The probability of success is difficult to estimate, but if we never search, the chance for success is zero.” “Difficult to estimate” is quite an understatement considering the scales SETI scientists are working in. Neumann's curiosity about the universe from a scientist’s point of view begins here.

The central questions of Distances Smaller... are found along the boundary between the explainable and the mysterious. Neumann aims to unmoor himself from his own comfort zones by placing privilege, masculinity, and race in the context of the cosmic scale while relating the challenges of art-making to scientific endeavors. The work aims to allow a complex view of the human experience to unfold, full of all its hubris, messups, and wonder. Neumann will bring these unfathomable scales of time and space into the theater and onto bodies, and within his mix of dance, science, and theater-making methodologies, create a work where the borders between language and movement become indistinguishable, and the empirical and poetic become sympathetic agents.

Neumann will explore and stage multiple, concurrent points of view. As his research into both the cosmological and quantum scales have shown him, the more one knows, the less one can be certain of. The same could be said of our culture. Neumann finds this paradoxical state difficult, inspiring, and truthful, and it is connected to his own process of emerging awareness within a systemically racist system. It starts with unpacking one’s assumptions and dancing within the mess.

While at MANCC, Neumann will bring an intergenerational cast of dancers including an intergenerational cast of dancer-performers, Sara Rudner, Jodi Melnick, and Victoria Roberts-Wierzbowski, together in the studio. Neumann will also continue his conversation with Dr. Jeremiah Murphy, Assistant Professor in FSU’s Department of Physics, which began in his 2016 residency on the intersections between dance and astrophysics.

This residency is supported by a multi-year, multi-residency initiative from The Andrew W. Mellon Foundation.

  • Photos Coming Soon
Collaborators in Residence: Sara Rudner, Jodi Melnick, Victoria Roberts-Wierzbowski [Dancers], Tei Blow [Sound Designer]

Returning Choreographic Fellow | Aug 14 - 21, 2016

Untitled

David Neumann’s residency, the first in a series, allowed him to continue early stage development of his latest project. Inspired by his participation as an artist-in-residence at the SETI Institute (Search for Extraterrestrial Intelligence), his inquiry stems from several emerging questions that consider the unfathomable scale of time and space, and the terror and wonder it inspires. While at MANCC, Neumann initiated his investigation with a literature review and movement explorations accompanying by a daily writing practice. Additionally, Neumann met with Dr. Jeremiah Murphy, Assistant Professor in FSU’s Department of Physics to discuss the intersections between dance and astrophysics.

This residency is supported by a multi-year, multi-residency initiative from The Andrew W. Mellon Foundation.  Neumann, joined by his collaborators, will return for two more residencies as part of the Mellon-funded Choreographic Fellow program, which will allow them to address the needs of the developing work at multiple stages. This funding addresses one of MANCC’s key programmatic priorities, to support vanguard artists’ work at all stages of development. By enabling artists to more fully research ideas in and out of the studio (concept, movement vocabulary, production design), MANCC residencies help more fully realize artistic visions.

Returning Choreographic Fellow | January 12-25, 2015

I Understand Everything Better

I Understand Everything Better is a multidisciplinary dance-based performance that explores the impulse to report on calamity, the consciousness of traumatic change, and one's proximity to dying. A union of theater and dance-making methodologies, I Understand incorporates innovative technology, weather reports, and personal narratives within a framework composed of elements drawn from classical Japanese dance and theater. Within the central metaphor in I Understand... of an oncoming storm, a comparison emerges between the individual and the species-wide in relation to experiencing the end of life. There are three main points of portrayal: a man on his deathbed, a meteorologist reporting from within a storm, and a great actor who might be performing a Kabuki play about a dying man in a great storm.

Prior to coming to MANCC Neumann worked with two advisors on the project including, Dr. Pamela Barton (an end-of-life care physician) and Rick Davis, a lead scientist with the National Weather Service in Ruskin, FL.  Neumann conducted interviews with weather reporters and observed their live weather reports. Observing them on the job allowed for a highly detailed account of how these “in the field” reports are produced, adding to the specificity of the performance. Neumann also interacted with the elder community and those who attend to their health care needs to gain a wider perspective on approaches to dying as well as the effects on our minds and bodies as we near our last breath.

Neumann began his MANCC residency by meeting with a nurse from Tallahassee’s Big Bend Hospice to discuss her experiences working with those at the end of life and how she cares for those who face terminal illnesses. Neumann and his collaborators also met with Dr. Kristina Buhrman, an Assistant Professor of Religion at FSU, to discuss ancient Japanese theater and philosophy. Alongside the exploration of the themes in the work, Neumann used his MANCC residency to focus attention on production elements including lighting, set construction and furthering the develop a soundscape. Neumann ended his residency with an informal showing of I Understand Everything Better followed by a discussion in which Neumann addressed his inspirations for the piece and its genre-defying nature. 

I Understand premiers at the American Dance Institute in Rockville, MD March 27-28, 2015.

  • John Gasper, Tei Blow, Jennifer Kidwell and David Neumann
  • Tei Blow reviewing and developing sound design for <i>I Understand...</i>
  • Writer Sybil Kempson works with Neumann, Kidwell, Blow, and Gasper
  • Set Designer Mimi Lien researching production elements with Neumann and Kidwell
  • Neumann meets with FSU Religion Professor Dr. Kristina Burhman about Noh Theater
  • Newmann and Kempson in a meeting with Hospice Nurse Miriette Dorval
  • Neumann and Gasper perform in an informal showing of <i>I Understand...</i>
  • David Neumann and Jennifer Kidwell
  • David Neumann
  • Neumann and Kidwell perform in an informal showing of <i>I Understand...</i>
  • David Neumann
  • David Neumann
  • I Understand Everything Better rehearsal
  • Jennifer Kidwell
  • John Gasper and Jennifer Kidwell
  • <i>I Understand Everything Better</i> Informal Showing
  • <i>I Understand Everything Better</i> Informal Showing
  • <i>I Understand Everything Better</i> Informal Showing
  • <i>I Understand Everything Better</i> Informal Showing
  • <i>I Understand Everything Better</i> Informal Showing
Collaborators in residence: Tei Blow, Johnny Gasper, Jennifer Kidwell [performers], Sybil Kempson [writer], Chloe Brown [lighting designer], Mimi Lien [set design], Tei Blow [sound design], Christine Shallenberg [lighting/projection], Erica Sweany [costume designer], Meredith Boggia [creative producer]. Photo slideshows by Chris Cameron and Jon Nalon.

New York Live Arts Partnership | October 18 – November 2, 2011

Restless Eye

Former Choreographic Fellow David Neumann returned to MANCC to develop Restless Eye, a work that explores the realm between thought and behavior, between describing life and experiencing it. While in residence, Neumann and his collaborators sourced a variety of data sets and statistics based on everyday phenomena and shared their investigations through open rehearsals with the local community, FSU students and with students at Sarah Lawrence College via Skype. Neumann and writer, Sibyl Kempson met with Dr. Karin Brewster, a Sociology professor and Director of the FSU Center for Demography and Population Health to discuss the utilization of statistical models within the developmental process. Neumann also explored the possibility of incorporating digital media in the work with collaborator Tei Blow.

The work premiered at New York Live Arts on March 24, 2012.

This New York Live Arts Partnership was made possible in part with support from the National Endowment for the Arts.

  • David Neumann researches movement for <i>Restless Eye</i>
  • Victoria Roberts-Wierzbowski, Kennis Hawkins, Neal Medlyn
  • <i>Restless Eye</i> rehearsal
  • Victoria Roberts-Wierzbowski, Kennis Hawkins, Jeremy Olson and Neal Medlyn rehearse <i>Restless Eye</i>
  • Victoria Roberts-Wierzbowski rehearsing <i>Restless Eye</i>
  • David Neumann and Neal Medlyn
  • Jeremy Olson and Victoria Roberts-Wierzbowski perform as part of <i>Restless Eye</i> Informal Showing
  • Kennis Hawkins performs in <i>Restless Eye</i> Informal Showing
  • Jeremy Olson, Neal Medlyn, Kennis Hawkins and Victoria Roberts-Wierzbowski
  • Jeremy Olson, Neal Medlyn, Kennis Hawkins, David Neumann and Victoria Roberts-Wierzbowski
  • Kennis Hawkins and Victoria Roberts-Wierzbowski perform in <i>Restless Eye</i> Informal Showing
  • Victoria Roberts-Wierzbowski, Kennis Hawkins, Jeremy Olson and Neal Medlyn
  • Jeremy Olson and Kennis Hawkins
  • Kennis Hawkins perform in <i>Restless Eye</i> Informal Showing
  • Kennis Hawkins, Victoria Roberts-Wierzbowski and Jeremy Olson
  • Jeremy Olson, Kennis Hawkins and Victoria Roberts-Wierzbowski
  • Jeremy Olson, Victoria Roberts-Wierzbowski and Kennis Hawkins
  • David Neumann and collaborators speak with audience after showing
  • Neumann explores the possible use of digital media in <i>Restless Eye</i>
  • Neumann and collaborators experiment with digital media in the development of <i>Restless Eye</i>
  • Hawkins explores the use of digital media
  • Neumann utilizes Tei Blow's digital media effects in the development of <i>Restless Eye</i>
  • Jeremy Olson experiments with Tei Blow's digital media effects
Collaborators in Residence: Kennis Hawkins, Neal Medlyn, Jeremy Olson, Victoria Roberts-Wierzbowski [performers], Tei Blow [technical director], Sibyl Kempson [writer].
Slideshow photos by Chris Cameron, Al Hall and David Neumann.

Choreographic Fellow | May 7 – 27, 2007

FEEDFORWARD

Neumann worked with students and his dancers on FEEDFORWARD through the exploration, expansion and a combination of the rules of sports. Neumann used the rules and tactics of different sports as “found algorithms” to determine the structure of this new ‘physical event’. Eve Beglarian worked with a local band of trombonists to develop an original score for the work.

FEEDFORWARD premiered at Dance Theatre Workshop in October, 2007.

Collaborators in Residence:Eve Beglarian [composer], Matt Citron, Taryn Griggs, Kyle Pleasant, Chris Yon [dancers]

World Premiere

Cynthia Oliver

Virago-Man Dem
October 25 - 28
BAM Fisher (NYC)

>

Click to close x