Recent News

• 07/15

  MANCC sends its congratulations to Obie recipients David Neumann and Marcella Murray for the creation and performances of “Distances Smaller Than This Are Not Confirmed” and Camille Brown for her Obie in Sustained Excellence in Choreography.

  David Neumann, Camille A. Brown

• 06/12

  MANCC is thrilled to be a recipient of a 2020 NEA Art Works Grant to support the third iteration of its emerging artist laboratory, MANCC Forward Dialogues (MFD), to be held in 2021.

  mfd

• 06/11

  MANCC sends its congratulations to the 2020 recipients of McKnight Choreographic Fellowships, including those awarded to past MANCC artists HIJACK and Ranee and Aparna Ramaswamy.

• 02/20

  Rosie Herrera’s Make Believe makes its Midwest premiere March 2020

  Rosie Herrera

• 01/17

  David Neumann's 'Distances Smaller Than This Are Not Confirmed' reviewed by Dan O'Neil of culturebot

  David Neumann

• 01/16

  New York Times reviews David Neumann's 'Distances Smaller Than This Are Not Confirmed'

  David Neumann

• 11/14

  MANCC artists named resident choreographers at Princeton’s Lewis Center for the Arts.

  Jumatatu Poe, Big Dance Theater

• 10/02

  Eva Yaa Asantewaa takes what she’s learned from a career in writing and puts it on the dance stage.

  MANCC Forward Dialogues

• 07/25

  MANCC Artists Nominated for Prestigious “Bessie” Awards

• 07/23

  MANCC Announces Partnership with the New York Dance and Performance “Bessie” Awards

• 06/29

  TimeOut London categorizes “Bronx Gothic” London premiere as “loud and visceral and overwhelming and quite magical.”

  Okwui Okpokwasili

• 06/26

  Congratulations to MANCC artist Camille Brown for her Tony Award nomination for Best Choreography for her work on Choir Boy.

  Camille A. Brown

• 06/10

  "Bronx Gothic" London premiere described as "an astounding piece of theatre" by theartsdesk.com.

  Okwui Okpokwasili

• 06/05

  “Bronx Gothic” described as “mesmeric” and “extraordinary” by What’s On Stage.

  Okwui Okpokwasili

• 05/27

  “Bronx Gothic” is described as a work that “imagines women taking space and giving voice” by The Guardian’s Alexis Soloski.

  Okwui Okpokwasili

• 04/05

  Fight or Flight: A Review of Escapes & Reversals at Unity Lutheran Church

  ginger krebs

• 02/06

  Camille A. Brown's "ink", reviewed by The New York Times' Siobhan Burke, as a NYT Critic's Pick.

  Camille A. Brown

• 01/30

  The Chicago Tribune calls the visual atmosphere of Ranee and Aparna Ramaswamy's "Written in Water" intoxicating.

  Ranee and Aparna Ramaswamy

• 01/13

  Rosy Simas’ “Weave” reviewed by Star Tribune

  rosy simas

• 01/11

  Rosy Simas describes “Weave” as “an invitation to inclusiveness” in an interview with Star Tribune

  rosy simas

Tour Schedule

• Entrypoints

  • 2020
  • 02/24

    Edisa Weeks hosts Roots Party and work-in-progress showing

    Edisa Weeks / DELIRIOUS Dances

  • 2016
  • 07/26

    What Production Company, George Clinton’s Recording Studio, assists in ELECTROGYNOUS Research

    d. Sabela grimes

  • 2015
  • 02/02

    FSU dance students work with Chipaumire in development of portrait of myself as my father

    Entrypoints, Nora Chipaumire

  • 2014
  • 10/10

    FSU School of Dance Master's student participates in choreographic laboratory

    axis dance company