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Camille A. Brown's "ink", reviewed by The New York Times' Siobhan Burke, as a NYT Critic's Pick.
Camille A. Brown
The Chicago Tribune calls the visual atmosphere of Ranee and Aparna Ramaswamy's "Written in Water" intoxicating.
Ranee and Aparna Ramaswamy
Rosy Simas’ “Weave” reviewed by Star Tribune
Rosy Simas describes “Weave” as “an invitation to inclusiveness” in an interview with Star Tribune
Vice regards Alice Sheppard’s “DESCENT” as part of a “radical shift now happening in the field of disability arts”
alice sheppard / kinetic light
Neil Greenberg's "To the Things Themselves!" creates a "world that's difficult to explain but easy to enjoy" says the New York Times.
“To the Things Themselves!” presents “a series of moments to get lost in,” says The New York Times
Alice Sheppard’s “DESCENT” reviewed by the Times Union
Alice Shepard talks with Sarah LaDuke of WAMC Northeast Public Radio about “DESCENT”
The Dance Enthusiast compares choreographic threads between Donna Uchizono’s “March Under an Empty reign” and the works of Tere O’Connor and Lucy Guerin
Marjani Forte-Saunders’ “Memoirs of a...Unicorn” Awarded Bessie for Outstanding Production
Congratulations to MANCC Choreographic Fellow Okwui Okpokwasili recipient of a 2018 MacArthur Foundation Fellowship.
DanceViewTimes reviews Rosie Herrera’s “Make Believe”
“Memoirs of a...Unicorn” was an “extraordinary experience on all fronts,” according to LA Dance Chronicle
Marjani Forte-Saunders comments on “Memoirs of a...Unicorn” in an interview with Pasadena Weekly”
Jonathan Gonzalez’s ‘Lucifer Landing II’ part of 125th anniversary of Henry Street Settlement
Rosie Herrera's "Make Believe" has "the power to astonish" says the Raleigh/Durham/Chapel Hill Indy Week.
Congratulations Eva Yaa Asantewaa on her new post as Curatorial Director at Gibney in New York City!
MANCC Forward Dialogues
Congratulations to Okwui Okpokwasili on receiving a 2018 Doris Duke Award! Okpokwasili came to MANCC in 2012 and 2016 to develop her works “Bronx Gothic” and “Poor People’s TV Room.”
Alice Sheppard’s “DESCENT” proves that “disability does not signify incompleteness,” says Dance Magazine
Lucifer Landing II
Abrons Arts Center , (NYC)
Iron Jane / March Under an Empty reign
Chocolate Factory Theater, (NY)
What Production Company, George Clinton’s Recording Studio, assists in ELECTROGYNOUS Research
d. Sabela grimes
FSU dance students work with Chipaumire in development of portrait of myself as my father
Entrypoints, Nora Chipaumire
FSU School of Dance Master's student participates in choreographic laboratory
axis dance company
MANCC Research and Administrative Intern reflects on working alongside Ralph Lemon
Kota Yamazaki's residency for Darkness Odyssey Part 3: Non-Opera, Becoming in 2019.
Read about Maggie
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